Hello!
Welcome to the Biddulph High School Music Department blog. I hope to keep you posted about all musical activity in school and possibly entertain you with news and reviews. Use the labels to navigate to specific materials
Monday, 11 January 2016
Tuesday, 31 March 2015
Examples of work and comments from examiners
Read this to see the standard and amount of work expected
Example of an annotation for a composition
If you find it difficult to produce a score in traditional notation or TAB you can do this kind of thing instead.
Composition Appraisal Booklet 2015
This is the booklet you will complete to assess your composition for Unit 2. Send me your drafts soon!
Thursday, 2 October 2014
2014 Talent Show
The 2014 Talent Show was held on the 24th September. It was another memorable evening and very difficult to choose just 3 winners.
Eventually we decided to award 3rd prize to Emily Lockett (Y9), who sang and played the guitar with great skill and personality. 2nd prize went to Daisy Mitchell (10), who bravely and beautifully sang an aria in Italian. The 1st prize was awarded to William Davenport (Y11) who played his own composition "Ice" on the piano.
Special mention should also be given to Luke Imber, Millicent James, Alex Webb, Kieran and Jordan Picken for their great performances.
Sound and lighting were provided by Dominic Axford and Christopher Davis, with help from former student Daniel Jones.
Tickets and refreshments were organised by Caitlin Duncan and Rosie Bould
Eventually we decided to award 3rd prize to Emily Lockett (Y9), who sang and played the guitar with great skill and personality. 2nd prize went to Daisy Mitchell (10), who bravely and beautifully sang an aria in Italian. The 1st prize was awarded to William Davenport (Y11) who played his own composition "Ice" on the piano.
Special mention should also be given to Luke Imber, Millicent James, Alex Webb, Kieran and Jordan Picken for their great performances.
Sound and lighting were provided by Dominic Axford and Christopher Davis, with help from former student Daniel Jones.
Tickets and refreshments were organised by Caitlin Duncan and Rosie Bould
Thursday, 25 September 2014
Composer of the month: Mahler
Mahler's work is at the end of the Romantic era and greatly influenced what happened in music in the rest of the 20th Century. His pieces are mainly written for huge orchestras, sometimes with singers added. They are highly dramatic works with a huge variety of material: Mahler thought that the symphony should "contain the whole world", so you will find funeral marches, military music, Jewish klezmer, Viennese waltzes.
What Mahler adds to this is:
- a sense of irony - sometimes he seems to be making fun
- predictions about the future - as a Jew frequently suffering from antisemitism he seems to portray both the death of millions of Jews in the Holocaust and the Nazi marching boots
- music which shows the full passion of love, builds to a climax and then suddenly stops (he was a friend of Freud and seems to understand his ideas of psychoanalysis
Try this for his irony and Jewish music. The double bass is playing a minor version of Frère Jacques and then Jewish music, sounding like the much later Fiddler on the Roof, takes over
And try this for those Nazi boots marching:
And this because it just might change your life!
Something to read while you listen?
Mahler's favourite novel, religion, morals and murder:
A great book about the suffering of the Jews at Auschwitz:
And a romance with Freudian overtones:
Y9 assessment
You can avoid recording in class by recording your work at home and bringing it in to school on a memory stick or emailing it to me here
It's often difficult to send large files so it's best to upload it to services such as YouTube, Dropbox, OneDrive, Google Drive, iCloud etc and then sending me the link
Want to record your piece away from the rest of your class? Book a practice room at lunchtime
It's often difficult to send large files so it's best to upload it to services such as YouTube, Dropbox, OneDrive, Google Drive, iCloud etc and then sending me the link
Want to record your piece away from the rest of your class? Book a practice room at lunchtime
I am currently reading: Boyhood Island by Karl Ove Knausguaard
Talent Show
Congratulations and thanks to all who took part and helped in the Talent Show. A full report with photos and recordings will follow
Wednesday, 10 September 2014
Thursday, 4 September 2014
Y10s - GCSE introduction
This is the presentation from the first lesson, in case you missed it or want to check something
Monday, 19 May 2014
Music to revise by
I have produced playlists which will help with your revision in two places:
YouTube
and Spotify. Here are some sample playlists:
You can use this music as a sort of passive revision - to listen to while doing something else, or you can use it in a more active way - try listening to 1 minute extracts 3 times and then writing what you can about the different Areas of Study. They are: rhythm and metre, harmony and tonality, texture and melody, timbre and dynamics and structure and form. Good luck!
YouTube
and Spotify. Here are some sample playlists:
You can use this music as a sort of passive revision - to listen to while doing something else, or you can use it in a more active way - try listening to 1 minute extracts 3 times and then writing what you can about the different Areas of Study. They are: rhythm and metre, harmony and tonality, texture and melody, timbre and dynamics and structure and form. Good luck!
Thursday, 15 May 2014
GCSE 2013 paper
The paper, listening examples and answers are now available at the same link - see previous post
Sunday, 11 May 2014
GCSE exam materials
You can access exam papers, mark schemes and the mp3s here:
Get revising!
Get revising!
Thursday, 6 March 2014
Composer of the month: Beethoven
It’s quite possible that Beethoven is the greatest composer ever. His symphonies, string quartets and piano sonatas are amongst the best (probably the best) examples of each genre. His music divides into three periods:
·
Early – where his music shows the influence of
Classical composers like Haydn and Mozart
·
Middle – where, perhaps because of his
sympathies with revolutionary politics, his music becomes more powerful and
full of extreme emotions, signalling the beginning of the Romantic period
·
Late – where, perhaps as his deafness became
worse, his music becomes more inward-looking and spiritual and looks forward to
a world of sound many years ahead of its time
Beethoven’s music is full of rhythmic vitality and often
uses short ideas (motivic development) to bind his structures and give them a
logical inevitability. Many works seem to have a sense of struggle being
overcome by a united humanity. His only opera, Fidelio, tells of people,
unjustly imprisoned, being released into light and freedom.
Want to read something while you listen? Try these:
Victor Hugo: Les Misérables – this is a long book but it
really captures the spirit of Beethoven in its story of struggles against
poverty, revolutionaries and love
Goethe: The Sorrows of Young Werther – a coming of age novel
from 1774, one which began the Romantic period
Dickens: A Tale of Two Cities – an exciting story about the
French Revolution
Wednesday, 5 February 2014
If you like Twitter, you're welcome to follow the official music department account "BHS Music" for the latest news: @tdwindsor
Friday, 31 January 2014
Sunday, 13 October 2013
Dr Who?
Last summer, William Davenport and Jordan Picken brought me their composition entry for the BBC Dr. Who Proms competition. I was expecting to make a few suggestions as to how to improve it, but it was perfect already and I felt that it was a potential winner. But how could it possibly win when there were hundreds of entries? Well it did win. There were two classes and William and Jordan won the junior class.
We went to the BBC studios in London to work with Ben Foster, one of the composers of the music for Dr. Who, to prepare this piece to be performed by the BBC National Orchestra of Wales. This is the orchestra that is used to record all the Dr. Who music.
The piece was performed at the Dr. Who Proms on the 13th and 14th of July, at the Royal Albert Hall in London.
So I found myself at one of the greatest venues in the country, at the greatest music festival in the world, watching a performance of a composition from two of my students! Not a bad day!
So I found myself at one of the greatest venues in the country, at the greatest music festival in the world, watching a performance of a composition from two of my students! Not a bad day!
There is an important lesson here: the best that we produce in this school is often equal to, and can be even better than, the best that anyone in the country can do.
Wednesday, 12 June 2013
A2 listening skills checklist
A2 Listening Skills
Use the right hand column to write explanations or examples
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Cadences – perfect, imperfect, interrupted, plagal
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Chords I, V, V7, V7d, IV
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Inversions of chords: a b c
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Cadential 6/4 Ic-V-I
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Diminished 7th chord Bb+C#+E+G
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Augmented 6th chord Ab+C+F# in key of C
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Secondary 7th chord II#37 D7-G7-C
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Sequence
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Circle/cycle of 5ths
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Pedal, tonic and dominant
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imitation
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canon
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Ostinato
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Riff
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Hemiola
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Augmentation/diminution
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Appoggiatura (chromatic)
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Passing note
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Note of anticipation
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Suspension
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Dictation of melody/rhythm
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Tonality
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Modulation to dominant
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Modulation to subdominant
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Modulation to relative minor
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Modulation to tonic minor
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Modal tonality
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Atonal tonality
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Whole tone tonality
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Bitonal tonality
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Recognise instruments and techniques: pizzicato, arco, con sordino,
double stopping, col legno
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Homophonic/melody and accompaniment
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Polyphonic
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Unison
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Playing in octaves
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Monophonic
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Ornamentation: trill, mordent, turn, portamento
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Time signatures: 2/4, 3/4, 4/4, 6/8, 12/8, 5/4, 7/4
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Intervals: 3rd, 4th, 5th, 6th,
7th, octave, minor, major, perfect, diminished, augmented
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